Picnic at Hanging Rock (USA Import) 4K UHD + Blu-Ray

Detalles

Picnic at Hanging Rock (USA Import) 4K UHD + Blu-Ray

Criterion

Título original: Picnic at Hanging Rock
Año: 1975
Pais: Australia
Código de región: 4K UHD: A, B, C; Blu-Ray: A
Contenido: 4K UHD + Blu-Ray
EAN: 715515294614

Imagen: 1.66:1 4K (2160p)

HDR: -

Audio:
English: DTS-HD Master Audio 5.1

Subtítulos:
English SDH

Calificación por edades: Not Rated

Género: Drama

Reparto: Rachel Roberts, Dominic Guard, Helen Morse, Jacki Weaver, Anne-Louise Lambert

Director: Peter Weir

Sinopsis:

This sensual and striking chronicle of a disappearance and its aftermath put director Peter Weir on the map and helped usher in a new era of Australian cinema. Based on an acclaimed 1967 novel by Joan Lindsay, Picnic at Hanging Rock is set at the turn of the twentieth century and concerns a small group of students from an all-female college who vanish, along with a chaperone, while on a St. Valentine’s Day outing. Less a mystery than a journey into the mystic, as well as an inquiry into issues of class and sexual repression in Australian society, Weir’s gorgeous, disquieting film is a work of poetic horror whose secrets haunt viewers to this day.

Extras:

• New 4K digital restoration, supervised and approved by director Peter Weir and director of photography Russell Boyd, with 5.1 surround DTS-HD Master Audio soundtrack
• One 4K UHD disc of the film presented in HDR and one Blu-ray with the film and special features
• Interview with Weir
• Program on the making of the film, featuring interviews with executive producer Patricia Lovell, producers Hal McElroy and Jim McElroy, and cast members
• Introduction by film scholar David Thomson, author of The New Biographical Dictionary of Film
• On-set documentary hosted by Lovell and featuring interviews with Weir, actor Rachel Roberts, and source-novel author Joan Lindsay
• Homesdale (1971), a black comedy by Weir
• Trailer
• English subtitles for the deaf and hard of hearing
• PLUS: An essay by author Megan Abbott and an excerpt from film scholar Marek Haltof’s 1996 book Peter Weir: When Cultures Collide