8½ 4K UHD + Blu-Ray (US Import)

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Detalles

8½ 4K UHD + Blu-Ray (US Import)
Criterion

Preventa - Fecha de salida: 10.12.2024

Título original: Otto e mezzo

Año: 1963
Pais:
Italy / France
Código de región:
4K UHD: A/B/C; Blu-Ray: A
Contenido: 4K UHD + Blu-Ray
EAN: 715515306119

Imagen: 1.85:1 (2160p)

HDR: -

Audio: Italian - Uncompressed Mono

Subtítulos: English

Calificatión por edades: Not Rated

Género: Drama

Reparto: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée

Director: Federico Fellini


Sinopsis:

Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s  (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for  was The Beautiful Confusion, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act. Also featured is Fellini’s rarely seen first film for television, Fellini: A Director’s Notebook (1969). Produced by Peter Goldfarb, this “imagined documentary” of Fellini on Fellini is a kaleidoscope of unfinished projects, all of which provide a fascinating and candid window into the director’s unique creative process.

Extras:

    • New 4K digital restoration, with uncompressed monaural soundtrack
    • One 4K UHD disc of the film and one Blu-ray with the film and special features
    • Introduction by filmmaker Terry Gilliam
    • Audio commentary featuring film critics Gideon Bachmann and Antonio Monda
    • Fellini: A Director’s Notebook, a short film by Federico Fellini
    • The Last Sequence, a documentary on Fellini’s lost alternate ending for 
    • Nino Rota: Between Cinema and Concert, a documentary about Fellini’s longtime composer
    • Interviews with actor Sandra Milo, filmmaker Lina Wertmüller, and cinematographer Vittorio Storaro
    • Rare photographs from Bachmann’s collection
    • Gallery of behind-the-scenes and production photos
    • Trailer
    • PLUS: An essay by film critic Stephanie Zacharek

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