PlayTime 4K UHD + Blu-Ray (US Import)

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PlayTime 4K UHD + Blu-Ray (US Import)
Criterion

Pre-sale - Release date: 10.02.2025

Original title: PlayTime

Year: 1967
Country:
France
Region code:
4K UHD: A/B/C; Blu-ray: A
Content: 4K UHD + Blu-ray
EAN: 715515329613

Image: 1.78:1 (2160p)

HDR: Dolby Vision / HDR10

Audio: French - 3.0 surround DTS-HD Master Audio

Subtitles: English

Age rating: Not Rated

Genre: Comedy

Cast: Jacques Tati, Barbara Dennek

Director: Jacques Tati


Synopsis:

Jacques Tati's gloriously choreographed, nearly wordless comedies about confusion in an age of high technology reached their apotheosis with PlayTime. For this monumental achievement, a nearly three-year-long, bank-breaking production, Tati again thrust the lovably old-fashioned Monsieur Hulot, along with a host of other lost souls, into a baffling modern world, this time Paris. With every inch of its superwide frame crammed with hilarity and inventiveness, PlayTime is a lasting record of a modern era tiptoeing on the edge of oblivion.

Extras:

    • 4K digital restoration, with 3.0 surround DTS-HD Master Audio soundtrack
    • One 4K UHD disc of the film and one Blu-ray with the special features
    • Introduction by actor and comedian Terry Jones
    • Three selected-scene commentaries, by film historian Philip Kemp, theater director Jérôme Deschamps, and Jacques Tati expert Stéphane Goudet
    • Like Home, a visual essay by Goudet
    • “Tativille,” a 1967 television program featuring an interview with Tati from the set of PlayTime
    • Beyond “PlayTime,” a short documentary featuring behind-the-scenes footage from the production
    • Interview with script supervisor Sylvette Baudrot
    • Audio interview with Tati from the US debut of PlayTime at the 1972 San Francisco International Film Festival
    • Tati Story, a short film by Goudet on the life and career of Tati
    • “Monsieur Hulot's Work,” a 1976 television program about Tati's beloved character
    • Cours du soir (1967), a short film written by and starring Tati
    • Alternate English-language soundtrack
    • PLUS: An essay by critic Jonathan Rosenbaum

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