Picnic at Hanging Rock (USA Import) 4K UHD + Blu-Ray

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Picnic at Hanging Rock (USA Import) 4K UHD + Blu-Ray

Criterion


Original title: Picnic at Hanging Rock
Year: 1975
Country:
Australia
Region Code:
4K UHD: A, B, C; Blu-Ray: A
Content: 4K UHD + Blu-Ray
EAN: 715515294614

Image:
1.66 :1 4K (2160p)

HDR: -

Audio:
English: DTS-HD Master Audio 5.1

Subtitles:
English SDH

Rating: Not Rated

Genre:
Drama

Cast: Rachel Roberts, Dominic Guard, Helen Morse, Jacki Weaver, Anne-Louise Lambert

Director:
Peter Weir

Synopsis:
This sensual and striking chronicle of a disappearance and its aftermath put director Peter Weir on the map and helped usher in a new era of Australian cinema. Based on an acclaimed 1967 novel by Joan Lindsay, Picnic at Hanging Rock is set at the turn of the twentieth century and concerns a small group of students from an all-female college who vanish, along with a chaperone, while on a St. Valentine's Day outing. Less a mystery than a journey into the mystic, as well as an inquiry into issues of class and sexual repression in Australian society, Weir's gorgeous, disquieting film is a work of poetic horror whose secrets haunt viewers to this day.

Additional features:

  • New 4K digital restoration, supervised and approved by director Peter Weir and director of photography Russell Boyd, with 5.1 surround DTS-HD Master Audio soundtrack
  • One 4K UHD disc of the film presented in HDR and one Blu-ray with the film and special features
  • Interview with Weir
  • Program on the making of the film, featuring interviews with executive producer Patricia Lovell, producers Hal McElroy and Jim McElroy, and cast members
  • Introduction by film scholar David Thomson, author of The New Biographical Dictionary of Film
  • On-set documentary hosted by Lovell and featuring interviews with Weir, actor Rachel Roberts, and source-novel author Joan Lindsay
  • Homesdale (1971), a black comedy by Weir
  • Trailer
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by author Megan Abbott and an excerpt from film scholar Marek Haltof's 1996 book Peter Weir: When Cultures Collide

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