{"product_id":"cruel-britannia-three-killer-thrillers-from-the-uk-blu-ray-us-import-danado-ver-foto","title":"Cruel Britannia: Three Killer Thrillers From The UK Blu-Ray (US Import) *dañado - ver foto*","description":"\u003ch1\u003eCruel Britannia: Three Killer Thrillers From The UK Blu-Ray (US Import) *dañado - ver foto*\u003cbr\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eVinegar Syndrome\u003cbr\u003e\u003c\/strong\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTítulo original:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCrucible of Terror, Penny Gold, Craze\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAño:\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e1971-1974\u003cstrong\u003e\u003cbr\u003ePais: \u003c\/strong\u003eUK\u003cstrong\u003e\u003cbr\u003eCódigo de región: \u003c\/strong\u003eA\/B\/C\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eContenido: \u003c\/strong\u003eBlu-Ray\u003cbr\u003e\u003cstrong\u003eEAN: \u003c\/strong\u003e810161481187\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003eImagen: \u003c\/strong\u003e1.85:1 (1080p)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHDR: \u003c\/strong\u003e-\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudio:\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eEnglish: Mono\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSubtítulos: \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCalificatión por edades:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eR\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003eGénero:\u003c\/strong\u003e Horror\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReparto: \u003c\/strong\u003eMike Raven, James Bolam, Mary Maude, James Booth, Francesca Annis, Jack Palance, Diana Dors, Julie Ege\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTed Hooker, Jack Cardiff, Freddie Francis\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSinopsis:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBritish cinema has long cemented its legacy of producing creative thrillers, often infusing macabre twists with a wry sense of cynical humor. By the early 1970s, the British film industry had become more daring in subject matter while still relying on the consummate technical professionalism that helped establish it as a leading force in the medium. Presented here are a trio of rarely-seen murder thrillers and mysteries that showcase the types of independent and transgressive work coming out of Britain in the first half of the decade, all of which have been newly restored by Vinegar Syndrome for this release.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShowcasing the beautiful yet under-filmed region of Cornwall, the Giallo-esque CRUCIBLE OF TERROR (1971) by director Ted Hooker finds a group of hippyish youths staying at the seaside home of a reclusive and mysterious sculptor. Their holiday fun is short-lived as they begin falling prey to a vicious mystery killer who’s determined to protect a deadly secret hidden deep in the cliffside caverns. Taking visual cues from Italian horror and displaying a surprising amount of horrible bloodshed, this long-overlooked whodunit is a precursor to the soon-to-be budding slasher genre.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhen a young woman is slain by a trench coat-wearing and razor-wielding killer, there’s no shortage of suspects, including her twin sister, boyfriend, and plentiful shady acquaintances. As the mystery unfolds and more people vanish or are murdered, a detective begins to suspect that the crimes might be connected to a prized stamp. A slow-burn hybrid of murder mystery and crime caper directed by acclaimed cinematographer Jack Cardiff, PENNY GOLD (1973) offers twist after twist, leading to a murder-fueled final act, sure to leave one guessing who the real killer is until the end titles.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBy day, Neal Mottram operates an unassuming antique shop, while at night, he is the high priest of a small cult worshipping the idol Chuku. After accidentally killing one of his fellow worshipers, Neal offers Chuku her body as a sacrifice, shortly after which he finds himself bestowed with good fortune. Believing that the idol is responsible for his luck, Neal finds more sacrificial victims. Anchored by a memorably unhinged starring performance by Jack Palace, director Freddie Francis’ blending of occult horror and police thriller CRAZE (1974) remains an overlooked gem in the oeuvre of famed producer Herman Cohen.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExtras:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2-disc Region Free Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePENNY GOLD and CRAZE scanned and restored in 4K from their 35mm original camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCRUCIBLE OF TERROR scanned and restored in 2K from a 35mm vault positive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with writers\/film critics Kim Newman and Stephen Jones for CRUCIBLE OF TERROR\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with writers\/film critics Kim Newman and Barry Forshaw for PENNY GOLD\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with writers\/film critics Kim Newman and Stephen Jones for CRAZE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with filmmaker David DeCoteau and historian David Del Valle for CRAZE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHappy Gatherings (10 min) - an interview with Judy Matheson, actress in CRUCIBLE OF TERROR\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIn for a Pound (11 min) - an interview with Richard Heffer, actor in PENNY GOLD\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival career-spanning interview with Michael Jayston, actor in CRAZE (50 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInside sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":53838155579733,"sku":null,"price":34.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/4236\/5013\/files\/cruelbritannia.jpg?v=1726148742","url":"https:\/\/universeofentertainment.es\/products\/cruel-britannia-three-killer-thrillers-from-the-uk-blu-ray-us-import-danado-ver-foto","provider":"Universe of Entertainment","version":"1.0","type":"link"}