{"product_id":"danza-macabra-volume-five-the-spanish-gothic-collection-blu-ray-box-set-us-import","title":"Danza Macabra Volume Five: The Spanish Gothic Collection Blu-Ray Box Set (US Import)","description":"\u003ch1\u003eDanza Macabra Volume Five: The Spanish Gothic Collection Blu-Ray Box Set (US Import)\u003cbr\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eSeverin\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003ePre-sale - Release date: 28.07.2026\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal title: \u003c\/strong\u003eStrange Voyage \/ Exorcism’s Daughter \/ The Dracula Saga \/ The Turn of the Screw\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e1964 - 1985\u003cstrong\u003e\u003cbr\u003eCountry:\u0026nbsp;\u003c\/strong\u003eSpain\u003cstrong\u003e\u003cbr\u003eRegion code: \u003c\/strong\u003eA\/B\/C\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eContent: \u003c\/strong\u003eBlu-Ray\u003cbr\u003e\u003cstrong\u003eEAN: \u003c\/strong\u003e760137210290\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003eImage:\u003c\/strong\u003e 1.66:1, 1.85:1 (1080p)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHDR:\u003c\/strong\u003e -\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudio: \u003cbr\u003e\u003c\/strong\u003eEnglish - Mono\u003cbr\u003e\u003c\/span\u003eSpanish - Mono\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eSubtitles: \u003c\/strong\u003eEnglish SDH, English\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAge rating:\u003c\/strong\u003e Not Rated\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Horror\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eCast:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTina Sainz, \u003cmeta charset=\"utf-8\"\u003eNarciso Ibañez Menta, \u003cmeta charset=\"utf-8\"\u003eTony Isbert, \u003cmeta charset=\"utf-8\"\u003eCristina Suriani\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLeon Klimovsky, \u003cmeta charset=\"utf-8\"\u003eFernando Fernan Gomez, \u003cmeta charset=\"utf-8\"\u003eRafael Moreno Alba, \u003cmeta charset=\"utf-8\"\u003eEloy de la Iglesia\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"s1\"\u003eFor\u0026nbsp;\u003cb\u003eVolume Five\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eof this “essential series of Euro-Gothic tastiness” (\u003ci\u003eMondo Digital\u003c\/i\u003e),\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eSeverin Films\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003ereturns to the cemeteries, catacombs and cobwebbed castles of Spanish cinema for an all-new exploration of Gothic Horror excellence: In the\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eNorth American Disc Premiere\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003eof 1964’s\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eSTRANGE VOYAGE\u003c\/b\u003e, director\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eFernando Fernán Gómez\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003ecrafts a macabre true-crime shocker featuring a poignant performance by none other than\u0026nbsp;\u003c\/span\u003e\u003cb\u003eJess Franco\u003c\/b\u003e\u003cspan class=\"s6\"\u003e. The disturbing 1971 drama\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eEXORCISM’S DAUGHTER\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eis presented in its\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003ecomplete U.S. Version\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003e– now featuring the infamous orgy sequence – as well as\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003ethe original Spanish Version LAS MELANCÓLICAS\u003c\/b\u003e,\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eboth\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eon disc for the first time ever\u003c\/b\u003e.\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eTHE DRACULA SAGA\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eis 1973’s grisly reinvention of vampiric damnation from the legendary\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eLeón Klimovsky, uncut in North America for the first time ever\u003c\/b\u003e.\u003c\/span\u003e\u003cspan\u003e\u0026nbsp;And in 1985’s acclaimed\u0026nbsp;\u003c\/span\u003e\u003cb\u003eTHE\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eTURN OF THE SCREW\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;adapts Henry James’ classic novella with a startling psychosexual twist. Each film in this collection has been\u0026nbsp;\u003c\/span\u003e\u003cb\u003escanned from original camera negatives or archival 35mm prints\u003c\/b\u003e\u003cspan\u003e, with\u0026nbsp;\u003c\/span\u003e\u003cb\u003e10+ combined hours\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;of new audio commentaries, video essays, interview featurettes and more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eExtras:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 1: STRANGE VOYAGE (1964)\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003e\u003c\/b\u003eIn 1964, renowned novelist, playwright and actor\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eFernando Fernán Gómez\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003edirected his most controversial film, “a truly remarkable”\u003cspan class=\"s7\"\u003e\u003cb\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e(\u003ci\u003eCinemagavia\u003c\/i\u003e) gothic horror black comedy based on a shocking true crime, condemned by government censors upon its release and featuring a surprisingly poignant performance by none other than\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eJess Franco\u003c\/b\u003e: In an old dark house on the outskirts of a rural village, a matriarch cruelly bullies her two childlike adult siblings. But when dread leads to murder, will repression and deceit bring about the most depraved acts of all?\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eCarlos Larrañaga\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(THE PRIDE AND THE PASSION),\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eTota Alba\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(STRANGE LOVE OF THE VAMPIRES),\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eLina Canalejas\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(BLOOD HUNT) and\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eMaría Luisa Ponte\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003e(EUGENIE)\u003cb\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003eco-star in this “masterpiece of artistic subversion” (\u003ci\u003eThe Postmodern Pelican\u003c\/i\u003e),\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003enow scanned in 2K from the original camera negative with over 2 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eAudio Commentary With Dr. Adrian Smith, Co-Author Of\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ci\u003eNorman J. Warren: Gentleman Of Terror\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eA 'Rara Avis' Duo\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e– Ángel Sala, Head Of Programming At The Sitges Film Festival, On Fernando Fernán Gómez \u0026amp; Jess Franco\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eThe Multifaceted Mind Of Fernando Fernán Gómez\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/i\u003e– Filmmaker Helena de Llanos On The Work And Legacy Of Her Grandfather\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eFacing The Sun: STRANGE VOYAGE's Promise Of Broken Dreams\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e– Video Essay By Andy Marshall-Roberts, Host Of\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ci\u003eThe Nasty Pasty\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003ePodcast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eRuntime: 92 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.66:1\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cspan class=\"s6\"\u003e\u003cb\u003eDiscs 2 – 3\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: EXORCISM’S DAUGHTER (1971)\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eWhat was deceptively marketed in North America as an EXORCIST rip-off is in fact one of Spain’s most unsettling genre films of the ‘70s: Driven to madness by a horrific childhood trauma, a young woman (\u003cb\u003eAnalía Gadé\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eof IN THE EYE OF THE HURRICANE) is committed to a brutal insane asylum from which there may be no escape.\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eFrancisco Rabal\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(SORCERER, DAGON),\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eEspartaco Santoni\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(THE FEAST OF SATAN) and\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eHelga Liné\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003e(THE VAMPIRES NIGHT ORGY) co-star in this “disturbing” (\u003ci\u003eMondo Digital\u003c\/i\u003e) gothic drama written and directed by\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eRafael Moreno Alba\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(DREAM KISS),\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003epresented in its original Spanish Version LAS MELANCÓLICAS scanned in 4K from the original camera negative\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eplus\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003ethe complete U.S. Version\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003e(also known as THE HOUSE OF INSANE WOMEN) with additional footage\u003cb\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003e–\u003cb\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eincluding the infamous inmate orgy sequence\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003e–\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003enow sourced from an archival 35mm print,\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003ewith over 2 hours of new Special Features.\u003c\/b\u003e\u0026nbsp;\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cspan class=\"s6\"\u003e\u003cb\u003eDisc 2\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Spanish Version + Special Feature\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 111 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cspan class=\"s6\"\u003e\u003cb\u003eDisc 3\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: U.S. Version + Special Features\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eAudio Commentary With Matt Rogerson, Author Of\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ci\u003eThe Vatican Versus Horror Movies\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eAnd\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ci\u003eFulci’s Inferno: Faith In The Films Of A Horror And Giallo Auteur\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eA Film That Stands Apart\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e– An Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eMadwoman In The Attic: EXORCISM'S DAUGHTER And The Female Gothic\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e– Video Essay By Kat Ellinger, Author Of\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.85:1\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cspan class=\"s6\"\u003e\u003cb\u003eDisc 4\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: THE DRACULA SAGA (1973)\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eFrom famed director\u0026nbsp;\u003cb\u003eLeón Klimovsky\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(THE NIGHT OF THE WALKING DEAD, THE PEOPLE WHO OWN THE DARK) comes the daring gothic shocker hailed as “one of the most original vampire films in Spanish horror cinema” (\u003ci\u003eCine Maldito\u003c\/i\u003e): When Dracula’s pregnant granddaughter (\u003cb\u003eTina Sáinz\u003c\/b\u003e) and her upstanding husband (\u003cb\u003eTony Isbert\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eof TRAGIC CEREMONY)\u003cb\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003earrive at the Count’s castle, it will birth a nightmare of profane seduction, ancestral damnation and inconceivable vampiric carnage.\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eHelga Liné\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003e(THE LORELEY’S GRASP),\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eMaría Kosty\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(NIGHT OF THE SEAGULLS) and\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eNarciso Ibáñez Menta\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003e(THE BEAST MUST DIE)\u003cb\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003eco-star in this “bizarre Spanish gem” (\u003ci\u003eBloody Pit of Horror\u003c\/i\u003e) co-written by\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eEmilio Martínez Lázaro\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(CAKE OF BLOOD) and\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003eJuan Tébar\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(THE LEGEND OF BLOOD CASTLE),\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003enow scanned in 2K from the original camera negative with over 2 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eAudio Commentary With Rod Barnett And Troy Guinn, Film Historians\/Co-Hosts Of\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ci\u003eNaschyCast\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eKlimovsky's Vampires –\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/i\u003eAn Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eThe Spanish Hammer: The Rise And Fall Of Profilmes\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e– Interview With Profilmes Production And Sales Executive Lluís Ferrando\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eInheritance As Horror: Blood, Tradition And The Gothic In THE DRACULA SAGA\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e– Video Essay By Kat Ellinger, Author Of\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 92 mins\u003cbr\u003eAudio: English Mono, Spanish Mono\u003cbr\u003eSubtitles: English SDH, English\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.66:1\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 5: THE TURN OF THE SCREW (1985)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eFrom\u0026nbsp;\u003cb\u003eEloy de la Iglesia\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e– writer\/director of such controversial classics as CANNIBAL MAN, THE GLASS CEILING, NO ONE HEARD THE SCREAM, NAVAJEROS and EL PICO – comes the startling 1985 adaptation of Henry James’ classic novella of gothic horror: After dropping out of seminary, a spiritually conflicted young man (\u003cspan class=\"s1\"\u003e\u003cb\u003ePedro Mari Sánchez\u003c\/b\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eof CREATION OF THE DAMNED) is hired to teach a pair of wealthy orphans in their remote seaside mansion. But when he begins to believe that the estate is haunted by the ghost of the previous cruel caretaker, it will unlock an ordeal of lost innocence, forbidden desire and immoral terror.\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eQueta Claver\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/b\u003e(THE PRIEST) co-stars in this provocative shocker – “a thoughtful drama with shades of SALÒ” (\u003ci\u003eBeyond Boundaries\u003c\/i\u003e) –\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cb\u003enow scanned in 4K from the original camera negative with over 3 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eAudio Commentary With Matt Rogerson, Author Of\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ci\u003eThe Vatican Versus Horror Movies\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eAnd\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ci\u003eFulci’s Inferno: Faith In The Films Of A Horror And Giallo Auteur\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eRepression And Tragedy\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/i\u003e– An Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eOne In Four Hundred\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e– Interview With Actor Asier Hernández\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eThe Role Of My Dreams\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e– Interview With Actress Cristina Goyanes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eHead Full Of Phantoms\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e– Video Essay By Xavier Aldana Reyes, Author Of\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ci\u003eSpanish Gothic: National Identity, Collaboration And Cultural Adaptation\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 118 mins\u003cbr\u003eAudio: Spanish\/Basque Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e","brand":"Severin","offers":[{"title":"Default Title","offer_id":54126380450133,"sku":null,"price":72.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/4236\/5013\/files\/danzamacabra5.jpg?v=1781284961","url":"https:\/\/universeofentertainment.es\/en\/products\/danza-macabra-volume-five-the-spanish-gothic-collection-blu-ray-box-set-us-import","provider":"Universe of Entertainment","version":"1.0","type":"link"}